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Tuesday, August 20th, 2019 02:31 pm
Last night I attended a screening of Apocalypse Now at Cinerama, thinking I should give it another try after ~20 years. I'm glad I did. I still think the editing is oddly clumsy, but I'm a lot better at appreciating long, slow films now. More importantly, I've just had more life experiences to help it resonate. Nothing major -- in no way am I comparing my lived experience to that of a participant in the 20th century's most famous asymmetrical conflict -- but it adds up.

I've seen people go deeply weird in those 20 years. I've now seen societies go deeply weird. That is real for me in a way it wasn't last time. I've done a long river trip, stuck with the same people in a small boat, and I understand the weird bonds that form better now. And I know how disassociating it feels to watch endless terrain unfold, all the same, with nothing to do but worry. Lance, tripping balls, wondering at the beauty of explosions and fire surrounded by utter chaos... well, if that isn't a genuine Burning Man experience then I don't know what is. But I think most of all, the detail of Kurtz having gone back to bootcamp at 38 struck me much, much harder this time. The absolutely inhuman, monstrous amount of willpower which that would take is now all too clear to me at 41.

My emotions run closer to the surface now. I'm less willing to abstract things away. I don't remember feeling anything but an intellectual disapproval during the Ride of the Valkyries attack, watching people blown up so some asshole could go surfing, but this time I was almost crying. That whole aspect of the movie seemed much more interesting to me. What was once funny was now tragic and evil, but all the more worthy of exploration because it's so obviously real.

Like Fight Club, there is a lot of toxic macho bullshit coming from a fandom who love the movie for reasons antithetical to the content of the movie itself. I watched the Fight Club heresies develop in realtime, so those don't surprise me, but Apocalypse Now has always been there. It took me this long to realize that the received wisdom about it is, simply, wrong. It's still a deeply flawed movie, with so many fucked up racial issues that I'd have to write a whole separate post just for that. But it has a lot worth thinking about, too.

And this is why I like revisiting media. Without the parallax it provides, it's very hard to see the changes in my own personality.
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Wednesday, August 7th, 2019 02:22 pm
I have a problem with books, in that I have more than is strictly sensible. This had become particularly problematic over the last few years with more and more usable space in the workroom being taken over by precarious stacks. I needed more shelving. The wall space was already taken with basic flat-pack cases. To improve on that, I was going to have to get fancy.



What I wanted wasn't practical. )
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Thursday, August 1st, 2019 09:49 am
When the Lego Saturn V came out 2 years ago, I had the idea to recreate the Apollo 11 mission using it. In realtime. This was partly inspired by Tom Sachs' art installations, and partly by the moon landing anniversary party I didn't make happen in 1989. A few weeks ago, 50 years after the original events to the ~minute, the reenactment went up on ApolloLego on Twitter. By the end of the mission I had made almost 200 updates with as many unique pictures. The response was good, with the account gaining over 1,000 followers in a week and getting likes and retweets from some people I really respect and admire. And complete strangers were unrelentingly enthusiastic about it. It was the first time I've had a 100% positive experience online in far too long. I'm planning to do it all over again for Apollo 13 next spring.



Some highlights )
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Friday, May 17th, 2019 02:56 pm
Back in the 90s when I was still giddy with excitement over the possibilities of computers, I discovered something amazing: esoteric programming languages, working languages designed and made as a joke, or as an exploration of possibilities unconstrained by practicality. Programming languages as art. There was Brainfuck, which only used 8 characters. There was Befunge, which worked as a 2D grid of ASCII art, with the program counter bouncing around in any orthogonal direction. And there was INTERCAL, the original joke which started it all in the 70s, with such concepts as a COMEFROM operator. Absolutely glorious.

I wanted to make one, obviously. I still have notes somewhere for what I was going to call Manyoshu, where programs would look like classical Japanese poetry. It never happened. But every now and then I'd think about it -- I love working with parsers and compilers, so I was really just waiting for inspiration to strike.

Last fall, as part of the research for the book I'm still kind of working on, I was reading primary sources in mathematical logic, including Gottlob Frege's Begriffsschrift. And I was stunned to find that, as part of developing a series of proofs, he had invented his own logical notation. And it was amazing! It's kind of a flowchart notation, with logical implication branching onto multiple lines, and universal quantifiers sitting in cozy little hollows. I loved it. And I immediately wondered what would it have been like, had Frege's notation caught on? What if that had been the standard when programming was invented in the 20th century? What if instead of adopting ANDs and ORs as the primary logical operators, not to mention if statements, we'd stuck with syllogistic implication for both? What if for loops had been directly descended from universal quantifiers?

So starting not long after the Lady Washington trip, I got down to making an esoteric programming language: Gottlob. It runs entirely in the browser, which was kind of cheating, but the total audience for such a thing was already going to be so minuscule that I didn't want to add the barrier of installing an executable. There are background materials on Frege's work on the site as well as a complete guide to the language. I'm still making tweaks here and there to improve the rendering engine, but I don't know of any serious bugs at the moment. And it even makes bubblesort look great!

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Friday, May 10th, 2019 04:22 pm
I'm taking a genetic engineering class at a local biohacker space. (Some of you might remember my attempts to teach myself a long time ago. Hopefully this will work better!) It just started, so we're still doing the preliminaries like learning how to pipette and extracting strawberry DNA, which is pretty great fun. During this week's class the subject of how DNA was prepared for Franklin's early crystallography attempts, and no one knew. So I volunteered to do some digging. The results are pretty interesting, despite the best efforts of Nature's paywalls to stop me, so I figured I'd share them here.

Vaguely organized references and excerpts here )
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Thursday, May 9th, 2019 10:27 am
I've posted this everywhere else, might as well put it here as well. I was struck with the urge to see what digits and displayed on a 7-segment LED would look like applied to each other with binary logical operators. No particular reason other than being on an exercise bike a lot and staring at the display, doing my normal focus before/focus behind eye tricks with the digits. It made me curious what the results would look like, and would any of them result in a completely unique new set of characters. Not immediately impossible, since there are 2^7=128 possible characters to work with. Could you use this to represent an arithmetical operator?


NOR: Super sparse. Not very interesting.

The other six are here, increasing order of interest )
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Monday, May 6th, 2019 09:54 am
I'm getting better at reading very long, very dense books. Having a daily page goal (usually 25) is becoming instinctual, and there is something comforting knowing that I'll finish something in PAGENUMBERS/DAILYGOAL days. Even if that means the book will take a month, it's less of a psychic burden to have a fairly firm date by which it will be done, and then any days that I do extra reading are a nice bonus. And since I always have a book club book and often an audiobook going at the same time, I'm still getting the dopamine hit of finishing a book often enough.

This was definitely a challenge, though. I've read some Kierkegaard before, but nothing this long. His worldview of Christianity+Kant+Hegel is pretty alien to me. Yet overall it was still a compelling read, and I'd go as far as to call some parts beguiling. It is full of very earnest introspective thoughts about how to choose one's own nature and personality, the kind of thing I obsessed over in my late teens. Kierkegaard is trying out potential personalities, aspects that he sees within himself, and having them argue with each other. Most of it is pretentious rubbish, of course, but it's rubbish that occasionally spoke directly to the pretentious teen inside me. It reminded me a lot of Herman Hesse in that way -- though being far less directly enjoyable, let's be honest.

I'm pretty sure I would have hated Soren in person. The misogyny is pretty thick throughout the whole thing, though no doubt he would have been shocked by the very concept. He might as well be the patron saint of "nice guys". He didn't even have the guts to directly say the things he was thinking. The book was published under a pseudonym, the contents are presented as mysterious manuscripts the pseudonymous author happened to stumble across in a contrived fashion, and even the "Diary of a Seducer" section (the most straight-forwardly interesting, though in the service of describing an utterly despicable character) is wrapped in yet another layer of deniability by itself being found by one of the anonymous authors of the found manuscripts being presented by the pseudonymous Kierkegaard!

Under the moralizing, much of the book is focused on questions of contingency vs. necessity, an issue I still find philosophically pressing. I can't accept its argument that the solution is to be Christian, of course, but that's an interesting approach to take. From my outsider perspective, a lot of the religious drive does seem to be driven by a fear of the contingent. I finally understand why Kierkegaard is considered a proto-existentialist, at least.
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Friday, April 19th, 2019 01:05 pm
Over the last year I've been dabbling with orchestral/classical/ugh-I-hate-naming-genres music. For the most part it still doesn't do a whole lot for me, but there have been some successes. I've become quite fond of The Rite of Spring, for instance. And I've ended up absolutely enamored with the minimalist composer Steve Reich. The irony of setting out to explore symphonic music and ending up focusing on the most minimal and restricted version of this is not lost on me, but some things are beyond my control.



Clapping Music was my introduction. The elegance and precision of it blew me away. Like most of his work, it feels like a finely crafted watch without any ornament or complication. Everything absolutely has to be the way it is, a piece of art utterly lacking in the contingent. I'm working on a design for a mechanical device to perform it, with hand-cranked cams that advance every 8th rotation.



I don't even understand how these performances are humanly possible.



Music for 18 Musicians is downright magical in its effects on me. I genuinely enjoy listening to it on its own, but it can also serve as a particularly valuable form of whitenoise -- I can crank it on headphones to drown out boring lunchroom conversation or pre-movie ads, and still be able to read dense texts! I'm very easily distracted by sensory input, so this is a glorious feature. I wouldn't have even thought it was theoretically possible for anything more aesthetically advanced that pure white noise.
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Wednesday, April 17th, 2019 12:02 pm
My reading group decided to try the Hornblower books in response to my nautical adventures. I read the first (the first written, not the first chronologically) while on the Lady, and while it proved great reading when I was dead tired and couldn't think, I wasn't entirely impressed with the writing style. Upon my return the reading group decided to watch the 1951 Gregory Peck movie, which covered the first three books. I really hate watching a movie version first, so I quickly listened to the next 2. (Most fiction is pretty quick at 2.5x!) By the time I was done with those I was hooked, so I continued listening in chronological order, then went back and listened to the first 5 covering the earlier parts of his career.

So, obviously, I enjoyed them enough to inhale 11 books over just a few weeks. And I'm enjoying the British TV version, though it's diverging more and more from the books in needlessly dramatic ways. I don't think it will be a lasting influence on me. Possibly because Hornblower himself is just a bit too human -- the internal narration gives you an intimate view of his insecurities and uncertainties. That's not a bad thing, but at some point it starts to feel a bit indulgent to once again have it spelled out that Hornblower, while participating quite actively in a horrendously cruel and inhuman system, is actually kind of uncertain about the morality of much of it, so it's totally okay, don't worry.

I totally get the comparisons to Vorkosigan now, though. That was definitely the best parts of the books, when Hornblower has to solve problems in unexpected and lateral ways.
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Wednesday, February 27th, 2019 03:54 pm
I've been listening to the Dune books (the original 6, that is, fuck the rest of that noise), which has been quite pleasing. I've reread Dune itself several times, but only did the entire series once, roughly 20 years ago. I liked them then, and I think I actually like them more now.

As part of this process, I decided it would only be appropriate to push my playback speed. I've been plateaued at 2X for the last year, often dropping lower for dense material, occasionally slightly higher for a particularly slow narrator. So on a long drive down to Oregon and back to deliver Murmuration to an art show, I started pushing playback speed up. I'm now at 2.5X, where I think I will stay for now. At least with these productions, it's still entirely legible, though freeway road noise starts to be a problem. Even crystal clear with headphones, though, it takes noticeably more concentration to follow. Fine when walking or driving, but certainly nothing more distracting than that. In effect, I'm removing much of the redundancy that makes spoken communication so resilient to signal degradation.

It makes me wonder if this will be the real upper limit -- it feels like I could go considerably faster still, certainly past 3X, but at what point will it demand so much attention that I can't be doing anything else while listening? Where does the total data transfer curve start to drop back down because I'm pausing all the time when the smallest thing distracts me? I'm not sure how to measure that, as my audio consumption already varies wildly depending on what I happen to be doing that week. (If I'm deep in a shop project with a lot of mindless repetitive steps, I'll burn through 20 hours a week realtime easy.) Wherever it is, I certainly don't want to go past that peak. I could probably get up to 4 or 5X floating in a sensory deprivation tank, but that doesn't sound like a particularly great use of time compared to just, you know, reading visually.

Anyway, that's the state of my mentat training.
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Monday, February 18th, 2019 01:16 pm
Early next month I'll be joining the crew of the Lady Washington for a two week training course. I'll go onboard in Ventura, then the next day we sail 240 nautical miles north to Monterey. The rest of the time will mostly be spent in port, giving tours and short cruises. (Apparently we might have to anchor out in the harbor for a night or two to make room for a cruise ship!) I'll be a deckhand, doing whatever needs doing: scrubbing decks, polishing brass, cleaning the head, etc. But it's a working tallship, and the program is designed to train tallship sailors, so I'll also be helping with the operation of the ship, including going aloft to release/secure sails as needed. I'll also be standing watch, at least during the trip up the coast. I know the reality will be cold and boring, but, damn.

This is something I've meant to do for at least 13 years, going by the evidence I could find in my archives. The last few years have made me realize on a deeper and personal level that, while by no means imminent, there is a very finite horizon on my ability to partake in activities involving heavy physical labor. I need to make sure to do these kinds of things sooner rather than later.

I've spent the last week practicing knots. (By itself that's a great benefit. I've never been particularly good at knots, and have always been a bit jealous of the skill. Nothing like being forced to finally learn a skill you wanted.) The gear has started to arrive -- I have a marlinspike now! This morning I made travel reservation down and back up. Since I have the weekend before free, I decided to take the train down and save a bit of carbon. (Plus, I've never taken the train past Eugene!) The last leg from Bakersfield to Ventura will be by Amtrak bus, so not only will the trip be by land, by sea and by air, it will also include planes, trains and automobiles.

Basically, I'm super excited and can't stop thinking about it. Watching hours of tallship videos has been a side effect. Most aren't very useful in terms of learning how things are done, but they sure are pretty. The following two are exceptions, being kind of terrible in terms of quality, but really great for technical details.



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Thursday, February 7th, 2019 11:51 am
I read Solaris, followed by rewatching the 1972 Tarkovsky adaptation and watching for the first time the 2002 George Cloony version.

I really enjoyed the book. The analog Soviet future vibe was really fun, and the descriptions of "Solaristics" perfectly nailed the feeling of a moribund field that, failing to become a real science, has fallen back on exhaustive stamp collecting. The creepiness of the situation was conveyed perfectly.

I watched the Tarkovsky version in the summer of 2001, yes, literally in the before times. Almost before I started keeping records properly, even! My comments at the time were: "Tarkovsky is dull, dull, dull! Pretty. but dull." I've gained some skill points in slow media since then, leaving me happy to say I enjoyed it a lot more this time. (I rewatched Stalker a few months ago when the Grand Illusion held a screening locally, with a similar change of heart.) I didn't find it as tense as the book -- Kris' deep horror at the appearance of his "guest" isn't conveyed as well as I would have liked, nor the feeling of being trapped by a dangerous impossibility. But the sets were great, the analog effects for the Ocean were perfect, and all around the subject matter perfectly fit Tarkovsky's aesthetic.

With this background, I went into the 2002 adaptation with high hopes. They were all dashed. Somehow, astonishingly, I can't think of a single way in which it was an improvement over Tarkovsky. Not one! There was even less sense of danger from the guests, the station looked generically new and clean instead a dingy, half-abandoned bunker, the CGI was boring, the script even MORE focused on the romantic elements, the happy ending unwanted. The reveal with Snaut/Snow was kind of cool, I guess.

And neither movie used the "the time of cruel wonders was not yet over" line, which is a damned shame. That's like cutting out the "If any young men come for Mary or Kitty, send them in, for I am quite at leisure." line from the end of Pride and Prejudice! *stares at the BBC version crossly*
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Thursday, January 10th, 2019 09:05 am
I knew nothing about this book other than the title and a vague sense that it was commonly assigned reading for teenagers. Turns out it is heart-breakingly good. Partly that was the tragic situation of the family, but mostly it was how delicately it captured coming of age. That's a rare thing, despite the popularity of the bildungsroman. Few manage to convey the phenomenology of those ages, the real feeling of becoming a person and bootstrapping a full personality. This book did.

This is one that I wish I had read as a teenager. I think I would have appreciated it then? Maybe I would have been too much of an ass, though. I had a lot more class biases back then than I would have cared to admit. I hope I would have at least identified with Frances being bullied by a self-righteous teacher.

The relatively open way sex was addressed surprised me. I'm even more surprised the book isn't prominent on banned book lists! No doubt it has happened, but it certainly isn't linked with moral panics in my mind. I don't tend to do research on books before I start them, preferring to experience them raw. As I read them, I play a game of trying to guess details like date of publication based on the content and style. I started with a guess of 20s or 30s for this one. By the end, particularly after Frances' mom tells her that maybe sleeping with a guy would have been a great experience, I was thinking more like mid-60s at the earliest. Nope, 1943! Pretty astonishing.
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Monday, January 7th, 2019 09:20 am
As part of my ongoing book research, I've been reading a lot of mathematical philosophy. Often that ends up being related to logicism, the search for a way to phrase all of math in terms of pure logic. It's not directly relevant to the book, but it's important background so I usually wade through it anyway.

One important detail is the attempt to remove the act of counting from the concept of numbers. It's not enough to say that the set of all sets with three members is itself the number three, as that's circular. The solution is to work with one-to-one relations: for all X there exists a Y in this relation to X, and for all Z in this relation to X, Z=Y. That is, X and Y are in this relation, and they are only in this relation with each other. Russell's example is, if you ignore polygamy and polyandry (yes, he explicitly excludes these, which makes more sense if you've read his autobiography), then you know that the number of wives and the number of husbands are equal, even though you have no way of knowing what the actual count is. Thus you can ask if every member of a set can be matched with a member of a three set with none left over. If so then it is also a three.

That's all well and good, and struck me as quite clever when I first saw it. But I'm increasingly convinced it's faulty. Distinguishing between zero and not zero is still counting. That gets hidden with the use of first order logic, but both the universal quantifier ∀ and the existential quantifier ∃ require counting. To say ∀x f(x) means that you have counted the number of x's for which f(x) is false and found that number to be zero. To say ∃x f(x) is to say that you've counted the number of x's for which f(x) is true and found that number not to be zero.

Of course, logicism is long since dead and doesn't need more nails in its coffin. But as someone who can't help but look for a touch of platonism to explain the unreasonable effectiveness of mathematics, I can't help but wonder if something important was missed here. Like the "between" concept which grounds Hilbert's axiomatization of geometry, could this unavoidable "is/is not" distinction hint at a fundamental feature of the "deep logic" of the universe?
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Friday, January 4th, 2019 03:53 pm
123 books this year )
I'm up to 2x playback speed for almost everything audio. 2.25x if it's particularly slow-but-easy. Frankly, it's a bit hard to find enough material. I'm getting kind of thoughtless about following the established canon. That worries me some.
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Friday, November 30th, 2018 02:19 pm
I haven't been keeping up with my book reviews here, so I'm going to quickly do a bunch to catch up.

Brideshead Revisited: Lovely writing, ruined by the characters. The problem with spelunking in literary canons is that most books (famous or otherwise) were written by, about and for the aristocracy until quite recently. And aristocrats are kind of terrible people, for the most part?

King Rat: Barely felt like a China Mieville book at all. I never would have guessed he had written a magical destiny/lost princling book, though the ending brought it back around in an extremely satisfying way. Not a success, but not bad either.

The Scarlet Pimpernel: Barf, aristocrats saving other aristocrats (and ONLY other aristocrats) from the French Revolution. The least sympathetic victims of The Terror! But other than that it was a ripping yarn, with a surprisingly strong heroine.

So You Want to Talk About Race: Lots of good material, put together in a good way, but it's more of a refresher course than anything new.

To Kill a Mockingbird: Changing schools in my teen years meant I had never actually read this before. It wasn't what I was expecting -- the trial and events around it were much more in the background. Interesting choice. With this done, I'm not sure what significant gaps remain in what I've read. I guess I should do more Shakespeare?

The Perfectionists -- How Precision Engineers Created the Modern World: Several people mentioned this after my American Precision Museum visit last month. It's a good read, but the material it covers is a bit basic. (And it isn't without factual points I would dispute.)

Waverly: Such a weird book, compared to Ivanhoe. The protagonist is so wishy-washy and mercurial that it made it quite hard to worry too much about the idiotic situation he finds himself in. You don't casually join an armed rebellion without there being consequences! I get that part of the story is the bildungsroman aspect of watching him become an adult, but it just didn't work for me.
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Wednesday, November 7th, 2018 03:10 pm
I spent two weeks in October driving around the eastern seaboard with my mother. 5187.7 kilometers in total. We visited Massachusetts, New Hampshire, Maine, New Brunswick, Prince Edward Island, Nova Scotia (very barely), Vermont, New York, Pennsylvania, West Virginia (barely), Maryland. Delaware and Virginia.



I took some pictures, obvs. )
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Tuesday, November 6th, 2018 02:56 pm
I had read Three Musketeers as a kid and enjoyed it, but I figured I should give it another go. I found that the "heroes" in it are considerably less heroic when seen as an adult. They're a bunch of bullies who treat their servants and the women unfortunate to love them absolutely abominably. The swashbuckling bits were still fun, of course.

We read some of Count of Monte Cristo in French in high school French class, but I had forgotten how little of it we actually read. The bits in prison are great, and there are some great moments of the Count showing deep moral understanding at the end of the book when he forgoes completing some of his terrible vengeance when he realizes it would only hurt the innocent. But in the middle? Oof. Dumas never managed to make me actually care about the circle of French nobility caught up in his machinations. They were boring twits, for the most part. While I'm glad the Count was able to see the futility of vengeance, it was hard to shake the feeling that I should care about everyone else just because they were rich.

But of all of these, it turns out I knew the plot of The Man in the Iron Mask least of all. I felt like maybe Dumas was trolling people with this one? Burning everything down in the least heroic or laudable way possible, so no one would ever ask him to return to these characters? It's nothing more than a series of terrible decisions and pointless deaths by characters who have far too much power to even begin to feel sympathetic.